janab prasoon par nahin mujhe ton sawalon se bhagane walon par etaraj hai

bat sirf prasoon joshi ki nahin gitakaron ki us pidhi ki hai ya kahoon filmi lekhakon ki hai jinhonne sahir dwara dilawaye sammanajanak star ko gira diya. mainne sawal prasoon ki pratibha par aur unake giton par nahin uthaye n hi mujhe unake kiradar par koee shak hai, yahan tak ki pichhali post men mainne unaka 'pathashala' jaise theth shabdon ke prayog ki sarahana ki hai. mera sawal to ye hai ki aakhir is daur ka sthapit gitakar (prasoon joshi), jo khud kahata hai ki ab wo kafi had tak apani sharton par kam karata hai, to wo jis widha ka pratinidhitwat karata hai usase jude sawalon se kyon bachata hai? kya wo sirf kaimare ke samane aapani maujoodagi bhar darj karawane tak simit rahega?

kaee yadagar git dene wale sahir ludhiyanawi ki kisi film ke liye git likhane ki ek hi
shart hoti thi, sangitakar se ek rupaya jyada loonga. salon tak ye paranpara chalati rahi. bat sirf ek rupaye ya jyada paise ke nahin thi, bat samman aur gitakar ke rutabe ki thi.
gulajar ka apana andaj hai aur wo is star par hain ki bina kahe ye shart khud b khud poori ho
jati hai. aapane unhen kabhi kaimare ke pichhe daudate dekha hai? naye daur ke bahutere gitakar part taim hain, prodyoosar sangitakar ke isharon
par nachate hain, tabhi to khit pit jaise ghatiya darje ke git likhe aur gaye jate hain.

kya aap usase 'genda foola' ki khurafat ke liye jawab nahin chahate?

-agar nahin to aap bhi us git ke asal rachaiyata aur usase jude samooh jinda aur marahoom longon se nainsafi men barabar ke bhagidar hain.
-agar han to aap mujhase sahamat hain. wo patrakar bhi to yahi sawal poochh raha tha. fir prasoon ko jawab dene se etajar kyon tha? kya sirf kaimare ke samane hi sawalon ke jawab diye jane chahiye?

satish chandr satyarthi ji ki bat se bhi main poori tarah sahamat hoon, kaimare ke samane aane ka lobh sab ko hota hai. sach to ye hai filma/tiwi kshetr men jane ka makasad hi kaimare ke samane aana hota hai. prasoona, main, satisha, jasadip har koee is post ko padhane wala kahin na kahin kabhi na kabhi kaimare ke kide se katana chahata hai. koee harj bhi nahin mainne kab kaha ye bura hai. mainne to itana kaha, kaimara band hote hi kaise ek 'jimmedar pablik figara' gair jimmedar ho jata hai. use is bat par pachhatawa hai ki ek gair-kaimaradhari ne unase sawal poochhe aur wo jawab dete rahe.

jasadip bhaee!!!film nagari men to chori hoti rahati hai, to kya ise paranpara man kar badastoor jari rahane de. aawaj na uthayen. aapaki janakari ke liye bata doon hal hi men rilij huee film dostana ke ek git ke liye karan jauhar ne karodon dekar rilij se tin din pahale jan chhudaee thi. wo bat alag hai ki dawa karane wala ek bada prandakshan haus tha aur adalat ja pahuncha tha. usane apani rayalati wasool kar li. wo chhatisagadh wale bhole log bas pyar se kradit dene ki iltaja kar rahe hain to kisake kan par joon rengati hai.

aaj chhatisagadh se ek git churaya hai to itana charcha hai, panjab se har roj kitane git churate hain banliwud wale, roj aawaj uthane lage to banliwud ke aadhe sangitakar berojagar hon jayen. sinh ij king ho ya himesh ke karj ka 'sohaniye je tere nal daga main kamawan' salon pahale hit ho chuke panjabi git hain. poora desh inhen chori hone ke bad gunaguna raha hai. ab bataeeye chup rahoon, bhagane deta rahoon in nami logon ko sawalon se. thik hai patrakari bhi ab dhandha hai, lekin jamir kaise mar doon. aap kahen to...???

meri najar men to sawalon se bhagana chori se bhi bada gunah hai. netaon ka ye gun sanwedanashil lekhakon men aana chintan ka wishay hai.aapako is par hairani nahin hoti mujhe is bat ka bhi afasos hai|

prasoon joshi ko 'kaimara' kide ne kata

sabase pahale to aapaki yadadashat darust kar doon, ji han ye prasoon joshi genda fool wale gitakar hi hain aur suniye janab ye kida hai hi itana khataranak ki jitana isase bacho ye utana hi kat khane ko daudata hai, ab aap hasti hain, banliwud ke aramanon ki basti hain, to ye kida aapako bhi chat kar jayega. par janab yahan to halat usase bhi baddatar ho chale hain. ab aap hi batayen ki gar kid se katane wala khud hi kide ko chatane lage to kya?

janab ab pata chala jaharabujhe 'kaimara' kide ka nasha itana khataranak hai ki ek bar chipak gaya to lat chhutati nahin. janata hoon abhi tak bat paheli hi bani hai, kshamayachana ke sath ek bat aur kah kar asal mudde par aata hoon. kuchh din pahale mere ek krantikari mitr ne 'genda foola' sunate huye ek krantikari wichar hi de dala. kya prasoon agala gulajar banane ja raha hai. tabhi khabar chhap gaee ki genda fool to chhatisagadhi gana hai jise badi safaee se prasoon ne apane nam gond liya. abhi main soch raha tha ki mujhe prasoon joshi se mulakat ka din yad aaya, jayapur ka litrarechar faistiwal tha pichhale mahine wahin par janab wichar charcha men kshetriye bhashaon ke kal ka gal hone par khoob chinta jata rahe the aur apane giton men theth shabadon ke prayog ki bhi kafi charcha kar rahe the, sunane men achchha bhi lag raha tha. fir wo mauka aaya jab mujhe unaki bimari ka pata chala. paricharcha ke pandal se bahar nikale to samane se ek tiwi kaimare ne gher liya, ham bhi lapak liye ki sunen parde ke pichhe git rachane wale prasoon kaimare ke samane kaise bolate hain. lo ji sawalon ka silasila shuru huaa aur apane prasoon bhaee eksart andaj men bait dene lage. pas hi khade ek print midiya ke patrakar ko bhi apane jnyan kaushal par 'jyada' hi 'owar kannfidensa' tha. ab bhaee unhonne poochh liya janab sahir ludhiyanawi ne gitakaron ko sangitakaron se jyada ahrm darja dilaya, jyada mehanatana dilaya. aaj wo sangitakaron/pradyoosaron ke dihadidar ho gaye hain. pahale gitakara, gitakar hi hote the ab wo part taeem ho gaye hain. jawab tha, kyon ki ab gitakari men utana paisa nahin. agala sawal tha, to itana star giraya kisane ki sangitakar se 1 rupaya jyada lene ke hak rakhane wale gitakaron ki kimat kam ho gaee. jawab tha, naye log sudhar la rahe hain. main bhi ab kafi had tak apani sharton par kam karata hoon.

tabhi bantadhar ho gaya. kaimare wale ki tep khatm ho gaee. kanpi pain wale patrakar ne abhi apana agala sawal poochha hi tha ki prasoon sahab ne hath khade kar diye. bole ab kahe ka sawal kaimara to band ho gaya. are janab sawal to sawal hai kaimare ko poochh ke thodi aata hai. wo kaimare wale ki taraf mude, poochhaः kya ye aapake sath nahin hain kaimare wale ne janab diya ji wo alag hain. prasoon ji itaraye are main to inhen aapake sath samajhakar jawab deta raha. itana bolate hi wo ऑtograf lene wali bhid ke samandar ke sath aage bah liye.

ab samajhe janab ye 'kaimara' kida kitana khataranak hai. aap pichhe bhagate raho foto khinchawane ke liye unake satha, kabhi not to kabhi hatheli par ऑtograf lene ke liye shayad aapake hath aa jayen wo. kaimare ke samane wo jarur jugali karane ruk jate hain.

janane wale to us prit wale patrakar ko bhi pahachan gaye honge. usi wakt mujhe jayapur mele men hi kahi tahalaka wale tarun tejapal ki bat yad aa gaee. kah rahe the, midiya ko bade namon ke glaimar se nikalana hoga, udyaugapati hon ya filmi sitare, inake moh jal se nikalenge tabhi satyat jaise ghotale ujagar honge. patrakar bandhuo! sun rahe ho na!!!

safara...

main sulajhi huee
anasulajhi
paheli hoon
na sona, na jagana
na rona, na hasana
na dard hai, na thik hoon
na jakhm hai, na maraham hai
najara, jubana, sunane ki takat
jism me se ghata di hai
main usamen hoon
lekin usaka hissa nahin
main bura nahin
par napasand hoon
ruka hoon, par safar men hoon

talash hai
par khoya kuchh bhi nahin
manjil raste men badal gaee
aur nadi ka pani kanch
aag thandi barf huee
thand men thithurata pyasa hoon
ruka hoon, par safar men hoon

harf hain,
par lafj aur waky gum hain
kalam hai, syahi hai
kore safe nahin mil rahe

likhoonga
pedon par
foolon par
patton par
sooraj par
chand par
dharati par
anbar par
jismon par
ruhon par

us din likhoonga
jis din ye sab kore milenge
filahal ruka hoon, par safar men hoon

jagajit sinh in sarch

apane pasandida giton, kawitaon ke jariye apani aawaragi ke safar ko jahir karata raha hoon. jagajit sinh ki in sarch jindagi ki talash aur falasafe ko bahut gaharaee se bayan karati hai. isaki gajalen har mauke, wakt aur halat ko samajhane, rah dikhane aur mushkil halat men majabooti dene men madad karati hain. sun ke dekhiye shayad aapake kam bhi aa jayen

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kya aapane manaee kabhi aisi gandhi jayanti

aap aur main ham sab kalamaghissoo, dimag ragad aur baton ke pir doosaron par bhadas nikalane ke liye n jane kya kya likhakar kagaj aur bil gets ke sarwar ko kala karate rahate hain. gandhi jayanti par bhi ham sab ne mil kar unake bare men likhane ke nam par blagawani par bhi khoob bojh dala aur apane blag men bhi ek aur chittha jod liya. mainne to socha tha ki main aisa kuchh n karun 2 aktoobar ko poora din main yahi sochata raha aur mainne apana kamyootar tak ऑn nahin kiya, lekin jaisi hi sham dhalane ke bad karib sawa 8 baje jab mainne apana eemel chaik kiya to subah 8 baje ka ek eemel dekhakar chaunk gaya. yah ek aamantran tha, kawi,chintak aur chhaya chitrakar mitr jasawant sinh jafar ka.

jasawant sih jafar muskurahat sach kar rahi hai bayan

ji han wahin jasawant sinh jafar jinaki kitab par charcha ke sath mainne apane blang ka shubharanbh kiya tha. bas us nimantran ko padhate hi mere likhane ka kida jag utha. daraasal unhonne ludhiyana men apane chitron ki pradarshani in dinon laga rakhi hai, gandhi jayanti par unhonne is aayojan ko khas banane ke liye shahar ke siniyar sitijan hom men rah rahe bujurgon ko wahan aamantrit kiya. yah to huaa aamantrana, ab jo huaa wo suniye, jafar aur unake sathiyon ka kafila apani apani karon men subah 11 baje siniyar sitijan hom pahunch gaya aur sabhi ko bade samman ke sath aart gailari tak laya gaya.

ham sath sath hain, jafar ki ardhangini bujurgon ka hal chal janate huye, pichhe unaki beti bhi najar aa rahi hai

sabase pahale chay pani ke sath hi karib ek ghante tak jan pahachan aur batachit ka silasila chala. usake bad jasawant ne sabhi ko nashte aur dopahar ke khane ka milan yani branch parosa. fir bujurgon ko apani marji mutabik kuchh bhi kahane ya karane ke liye poori tarah aajadi dedi gaee.

kya kahana hai kya sunana hai...

fir kya tha, bapu ki shiksha par amal karate huye bachchon ka ek 'tamacha' padane par doosara gal aage karate hi ghar se bahar kiye gaye in bujurgon ne jo apani aap biti sunaee, use sun kar shayad hare lal noton par chhape bapu ki foto ki aankhen bhi bhar aati.

wo bite lamhen hamen jab bhi yad aate hain...

ye to shurooaat bhar thi bite lamhon ko hashiye par rakh jab un bujurgon ne chitron men chhipe rangon se apane atit ke khushagwar rang talashe to sabake chehare par muskan ke fool khil gaye. fir har pal dosti, apanepana, khilakhilahat aur rangon ke nam gujara. mauke par maujood sabhi kalakar aur kalamakar sathiyon ko is bat ki rahat thi ki unhonne bapu gandhi ke wachanon ko jinhe wo apane rangon aur lafjon men ke sath jindagi men bhi dhalane ki har pal koshish karate rahate hain, par khare utarate huye unaki jayanti par in mahatmaon ke dil men yah ahasas jaga sake, ki wo aaj bhi usi bharat men rahate hain, jise bapu ka desh kaha jata hai.

duniya se bekhabar rango ki duniya men

jo paraee pidha ke ahasas ko samajhane wale the. sawal wahi hai kya aapane kabhi apana janmadin ya koee aur tyohar aise manane ke bare men kabhi socha hai. jara gaur se sochiye
jafar tumhen salama!!!

aakhir dilli men lag gaya dil

shayad jab se mainne jindagi men likhane ke raste ko apana makasad bana liya tab se isake sare mod mere dilli ki or mudate rahe, khab khuli aakhon men tairata raha ki dil walon ki dilli men dil ram jaye. aaj yahi khab hakikat hai.
abhi kuchh hi din huye hain is khab ko poora huye, pichhe mudakar dekhata hoon to wo sare manjar yad aate hain, jab mainne is khab ki pahali sidhi par ek ek eent rakh kar hakikat ki dahalij tak pahunchane wale kaee sare payedan banaye. khair girate padate chadhate chadhate main chadh hi aaya hoon, jis din chala tha to dhamakon ne swagat kiya, jab se yahan hoon to kabhi goliyon to kabhi dhamakon ki goonj aasapas hi sunaee deti hai. fir agar kahoon ki dilli men dil lag gaya hai, to isamen koee bedili wali bat nahin hogi. isamen un sab logon ka hath to hai hi jinhonne yahan tak pahunchane ke liye protsahit kiya, lekin un sab ka bada kiradar hai jo ahasas karate rahe ki ye sab khab ki baten hain, lekin yahan pahunchate hi jinhonne sab se pahale hath thama shailes bharatawasi aur sajiw sarathi wo in sabase alag khas jagah rakhate hain. baki poori dilli dil men sahej ke rakhane layak ho jaun, kuchh aisa karane ki soch raha hoon.

jane tu ya jane n

reting ****
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aamir khan yuwaon ki nabj bakhoobi pahachanate hain aur lekhak se nirdeshak bane abbas tayarawala abhi khud yuwa hain, is liye jane tu ya jane n ke jariye unhonne target ऑdiyens ko poori tarah se khush kar liya hai.

star kast
imaran khan
jeniliya
nasaruddin shah
ratna pathak shah
paresh rawal
sohel khan
arabaj khan
dayarektar
abbas tayarawala

kahani jay (imaran khana) aur aditi (jeniliya) ki hai, jinaka poora frends grup aur perents manate hain ki wah ek doosare ko pyar karate hain, lekin khud unhen hi ahasas nahin hota. fir jay ki jindagi men meghana (manjari) aur aditi ki jindagi men sushant (ayaj khana) aate hain, tabhi donon doston ko dil men chhipe pyar ka ahasas hota hai. kahani rutin hai aur klaimeks bhi kaee filmon men dekha huaa. difarent hai to tritamenta, sabase badi bat aamir aur abbas ne film ko metro shaharon ke aam yuwa se sahajata se joda hai. law stori men perents-beti, man-beta, bhaee-bahan ke rishte pise nahin hain. yahi wajah hai ki har yuwa khud ko kahani se rilet kar sakata hai. imaran pahali hi film men adakari ki pukhtagi ka ahasas karawate hain. jeneliya bhi gahari chhap chhodati hain. doston ke grup men anuradha patela, jayanta, alishaka, nirawa, karna, sugandha, pratika, renuka sabane apane kiradar ko bakhoobi jiya hai. ratna pathak shah aur nasarooddin ki kemistri ham panch ki yad dilawati hai. donon hi shanadar hain. paresh rawal chhote se kiradar men joradar hain. sohel aur abbas jarur iritet karate hain. eaar rahaman ke do gane pappu ko dans nahin aata aur kaho n kaho pahale hi hit ho chuke hain.
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reting chinh---*paisa barbada/ **bas thik thak hai/ *** paisa wasoola/ ****jaroor dekhen/ ****behatarin

law storiः aadhi 2008 baki 2050

reting ***
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hawa men udati karen, ungali ke ishare par kam karati gharon ki diware, aage pichhe ghoomate aur hukm bajate robot aur mishini jindagi men kahin panapati ek law-stori. yahi hai law stori 2050 ki kahani. bhaee film ka nam 2050 hai, lekin aadhi film to 2008 men hi gujar jati hai.

star kast
haraman baweja
priyanka chopada
boman irani
archana poorn sinh
dayarektar
hairi baweja
shooting lokeshan
aastreliya, nyu yarka, munbaee

wo bhi maujooda munbaeeya stail law stori men jisamen premi har roj 'hone wali premika' ke ghar ke chakkar lagata hai, wo roj det par jane ke liye mana karati hai aur fir man jati hai. lekin hairi baweja ne is bat ko do-tin bar ripit karake teji se shuru huye pahale haf ko kuchh hi der bad dhima aur bor bana deta hai. fir bhi achchhi opaninga, khas kar tej raftar pasand karane wale yuwaon ko bandhane men kamayab rahe hain. haraman baweja ki entri bhi thik thak rahi hai. film ki kahani rutin law storij jaisi hai, jisamen pahale janm men premika ki maut ke bad premi use dhoondhata firata hai. bas isamen naya ye hai ki is bar purnajanm ki bajaye premi taim mashin men baith kar 42 sal aage chala jata hai. lekin ghabaraiye mat pahale haf se nirash hokar sinema hal chhod kar mat jaiye, doosare haf men film sab ko chakit karati hai. khas kar 2050 men kalpit robo walrd hawa men udati karen, aasaman se ulati latak kar chalati trenna, warchuyal niyon sain bord aur bolate yoonipola, hawa men tairati stej ke sath hi munbaee men hajaron manjili imaraton ke sath hi samandar men banaye gaye shishe ke ghar aapako jarur akarshit karenge. edawans daur men har kam men madad karate robot aapako kafi kyoot lagenge. khas kar prinyaka chopada ka nanhan pinnk robo, jo usake dil men panapate pyar ko n sirf bakhoobi samajhata hai, balki hiro ke robo se sari baten sheyar bhi karata hai. hairi baweja ne apane bete ko sthapit karane ke liye skript aur sakrin ple par khas dhyan diya hai. yahan tak ki khataranak takaton wala wilen us par hawi n ho usake chehare ko nakab men hi rakha gaya hai. ekting ki bat karen to wibhinn imoshans ko eksapres karane men haraman kafi had tak safal rahen hain, fir bhi unhen kafi mehanat karani hogi. jo log unake chehare ko ऋtik roshan se mila rahe hain, unhen haraman men kuchh difarent dekhane ko milega. dansa, ekshana, romansa, imoshanala, trejedi aur kanmedi har tarah ke sin film men unake liye khas taur par rakhe gaye hain, shayad papa hairi sabit karana chahate the ki jooniyar baweja men poora filmi maitiriyal hai. priyanka etaraj ke bad ek bar fir kafi hant aur seksi lagi hain. chahe dreses hon ya sekend hanf men 2050 ki stail unaki har chij men galaimar dekhane ko mila hai. boman irani bhi apane kiradar ko ji gaye hain. archana poorn sinh bhi thik thak lagi hain. myoojik ke mamale men anu malik is bar bhi nirash hi karate hain. milon ka fasala khas kar said warshan jarur prabhaw chhodata hai. khair sabhi chijon ka guladasta saja hairi baweja ka nirdeshan logon ko bandhane men safal raha hai, agar wah pahale haf men thodi kainchi chalane ka sahas dikhate to sakrinaple men aur kasaw aata. wijay aroda aur kiran diyohans ki sinemetografi bhi film ka sakaratmak paksh hai. khas kar aastreliya ke samandar ke aas pas ki lokeshans ko unhonne khoobasoorati se filmaya hai. grafiks ke pichhe najar aata munbaee bhi unake kaimara wark ko bakhoobi dikhata hai. grafiks ke mamale men law stori 2050 ko banliwud men kranti kaha ja sakata hai. agar aisi filmen banane lage to banliwud ka hanliwud karan hone men der nahin lagegi. film yuwaon ko to jarur aakarshit karegi, lekin usase pahali pidhi ko doosare haf men widiyo gems par aadharit faiting sins shayad hi samajh aayen. film men ek aur chij kabile jikr hai wanita umang kumar ka aarta, 2050 ki takaniki duniya ko ubharane men unaka aart wark khas bhoomika nibhata hi hai, usamen bharatiy sanskrti ki chhap bhi najar aati hai. khas kar priyanka chopada dwara kamare ka rang gulabi karane wale sin men diwaron par likhe shlokon men isaki jhalak milati hai. pikchar abhi baki hai dost ek aur sarapraij film men haraman baweja ka klon bhi dekhane ko milega, so kam ऑn dosto haraman ko haraman se ladate dekhate hain.
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reting chinh---*paisa barbada/ **bas thik thak hai/ *** paisa wasoola/ ****jaroor dekhen/ ****behatarin